Tag Archives: genre

The Lebowski Cycle – Venus (After Titian)

Venus • Joe Forkan 2011, oil on linen, 72" x 50"

Here is another painting from The Lebowski Cycle. I was looking at Titian’s Venus of Urbino and Manet’s Olympia. I’ll be posting more on this soon.

Venus of Urbino • Titian 1538 Oil on canvas 119 cm × 165 cm (47" × 65") Uffizi, Florence

Olympia • Édouard Manet 1863 Oil on canvas 130.5 cm × 190 cm (51.4" × 74.8") Musée d'Orsay, Paris

The Lebowski Cycle at The Frank M. Doyle Arts Pavilion, Orange Coast College, Costa Mesa, CA • Sept 10 – Oct 28, 2011

Opening Reception: Saturday, September 10th 6-10pm

The Lebowski Cycle – Sacred and Profane Love

Sacred and Profane Love (After Titian) • Joe Forkan 2011 oil on linen, 72" x 40" (182.88 cm x 101.60 cm)

I’m currently finishing the framing of the last of the paintings in the studio headed for the show at the Frank M. Doyle Arts Pavilion. I framed 10 paintings this last weekend, with help from some friends. Delivering work on Monday.

Sacred and Profane Love Titian - c. 1513-1514 oil on canvas 118 cm × 279 cm (46" × 110") Galleria Borghese, Rome

My studio is going to seem really empty after sending off 14 large scale paintings for the show.

This piece is based on Titian’s Sacred and Profane Love. I’ll write more on the series once it is all installed, but wanted to post this recently completed painting from the Cycle.

Detail - Sacred and Profane Love (After Titian) • Joe Forkan 2011

The Lebowski Cycle – The Agony in the Garden

The Agony in the Garden (After Carracci) • Joe Forkan 2006-2011 oil on linen, 76" x 48" (193.04 cm x 121.92)

Here’s another recently completed painting from The Lebowski Cycle. The fall show at The Frank M. Doyle Arts Pavilion is rapidly approaching, and I’m wrapping up paintings that have literally been in constant renegotiation in the studio for years.

This one, like about half of the paintings in the series, is based on paintings dealing with traditional Bible stories. The Agony in the Garden has been a subject for religious paintings dating back to at least the 13th century. Biblical and mythological stories have a surprising amount of variation in how they are depicted and reinterpreted by artists of different eras. For this painting, I was specifically looking at Carracci’s Agony in the Garden from about 1590, but also at paintings by Sandro Botticelli’s from 1500 and Adriaen van de Velde from 1665.

…and I was also looking at The Big Lebowski, or course.

The Agony in the Garden Ludovico Carracci - about 1590 Oil on canvas 100.3 cm x 114.3 cm (39.5" x 45") The National Gallery, London

Working within the traditions of genre and narrative as an approach to making paintings may not leave a lot of room for the invention of new forms or for a great deal of formal novelty, but superimposing multiple narratives does seem to allow for divergent and complicated takes on each of the stories.

Looking through western art you can see the number of ways these well worn narratives have been reconfigured, both to communicate older themes to new audiences, and also to use the stories as a leaping off point for other purposes.

I think that in genre and narrative painting, where the structures are a given, whatever is different from the story as it was received by the artist becomes part of the content.

Hopefully, there are a lot of ways to enter the work.

Agony in the Garden Sandro Botticelli 1500 Tempera on panel, 53 x 35 cm Capilla Real, Granada

Agony in the Garden Adriaen van de Velde 1665, oil on canvas, 126 x 154 cm, private collection